I spent yesterday evening musing over my favourite dVerse prompt – the Quadrille. Lilian had suggested we weave the word sunrise (or a derivative) into a piece of poesy (John Clare’s word) of exactly 44 words.
Several hours later, having interrogated William Blake, the motion of the Earth and Sun, and my own anomalous behaviour as a bohemian word-slinger, I went to bed, disgruntled.
Thanks to the powers that ply in the sleeping brain, I woke up refreshed enough to adventure a full length poem, forgetting the sunrise altogether until the word snook in. (I was over five hours late for the event, though: 0420 British Summer Time today in Brora, Scotland)
I’m providing the firstfruits at the end, but here is the slimmed-down quadrille, which, as a poem, is rather shallow… you decide.
shallow
Before I die, I want to swim
far out in ocean's swarthy deep:
"Shallow Brown" the shanty played,
worked through my muse when I'm asleep.
When sunrise stirs, you're at my side:
a hollow where the music died -
lament, wail, and woe betide!
© Kathy Labrum McVittie 3 June 2025
Here’s the first, 75-word, version. It contains allusions (can you find them?) to a poem by Siegfried Sassoon, a hymn, and of course the folk shanty Shallow Brown, about which you can read here.
I first came across Shallow Brown in a BBC Prom concert, in a version for baritone and orchestra by Percy Grainger. Happy hunting and deep internet fishing.
deep /shallow
Before I die, I want to swim out in the ocean's swarthy deep:
"Shallow Brown" the music played, worked through my muse when I'm asleep
Come sunrise, stir - you at my side, or hollow where you have awoken -
a belly-smile at soul-exchange, a heart expanse at what was spoken;
not silence, but a quietude; still keening grief and also laughter:
the singing never will be done, with black and white birds flying after
© Kathy Labrum McVittie 3 June 2025

Such a lyrical Quadrille, beautifully done.
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Thaank you for your encouragement, Dianne!
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I love it as a shallow quadrille, Kathy, but look forward to the final, deeper version. The phrase ‘ocean’s swarthy deep’ stands out for me, and the rhyming couplet:
‘When sunrise stirs, you’re at my side:a hollow where the music died’.
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Thank you Kim! It was a fascinating process editing down the longer poem, which was altogether less tragic!
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You’re most welcome, Kathy.
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These lines:”When sunrise stirs, you’re at my side:a hollow where the music died -lament, wail, and woe betide!”I am caught up in these lines. Almost 12 years ago, my husband of now 55 years, had a 6 minute cardiac arrest. Not a heart attack. His heart stopped for 6 minutes. We almost lost him. As I say often, thankful for every day. These lines….I think of waking with him by my side every morning all these years….and the alternative, that almost happened, waking to a hollow beside me…seeing the emptiness….as you can see. Your post aroused a connection here….and isn’t that after all, what a good poet is supposed to do? So for me, this 44 word version carries a wallop!
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Whoa Lillian – I’m almost apologising for the wallop that the 44-worder inflicted… And yet, in the circs, here we are being glad (and how!) for your partner’s continuing presence at your side. And if and when there is a hollow, it’s just because he’s got up already, and is bringing you a cup of tea, perhaps? 🙂
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I really love how you managed to condense it down to a quadrille, and I love the process, maybe you needed sleep and a sunrise to pin it down… not shallow at all.
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I’m so happy you enjoyed observing the process of condensation, Bjorj. I do tend to err on the side of over-explaining, so I’m glad it has an audience! Yes, a good night’s sleep works wonders.
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I am LOVING your quadrille!!!!
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Loving the enthusiasm of your response, Helen! Hoping you are well x
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I think both are wonderful, but I enjoyed the longer version the most.
Yvette M Calleiro 🙂
http://yvettemcalleiro.blogspot.com
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Thank you Yvette, I think I liked the longer one best too. Good to get your view! x
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i like things pared-down, succinct. so naturally, i love your condensed version ❤ .
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What, even though it’s sadder?!
Interested by what you say about succintness (is that even a word?) because my much loved English teacher at school said that I tended to loose the thread in a flurry of words – plus ca change!
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yep, both long and short versions ring equally sad to me. P.S. trivia answer = everone sang by siegfried sassoon.
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Spot on, Ren, you win the prize! Everyone Sang has been one of my favourite poems for about 30 years – I copied it out and carried it in my Filofax, back in the Last Millennium!!
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i had to google Filofax. lol. 🙂
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Lol! Feeling my senior age here…
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I just wrote a comment, but then got the message “This comment can not be posted.”
So, trying again. The hollow in the quadrille lingers.
Thank you for the link to “Shallow Brown.” I think it’s a sad, haunting ballad more than a shanty.
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Thank you for persevering with your response Merril; receiving you clearly!
Yes, a deeply haunting melody with lyrics. And interpreted by such a range of musicians.I went off down many thematic rabbit holes with this prompt…
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You’re welcome. A fun rabbit hole!
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Kathy, it’s amazing how happiness turned to sadness when you condensed your verse. I love them both. ❤️
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Thank you for noticing what happened when I exerted The Discipline, Punam.
Each of them reminded me of vacancies upon my mattress…. Sometimes I take them with a measure of equanimity!
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Your creative process is inspiring—sometimes the best lines arrive after a night’s rest! Even a “shallow” quadrille can shimmer with meaning.
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Ooh thank you! I like “shimmer”! Especially at dawn, having incubated another Quadrille overnight..
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